Molly Joyce Charlottesville, Virginia
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The Julius Eastman Memory Depot
by Jace Clayton
supported by 280 fans who also own “Lean Back and Release”
"Eastman lived his life veering between irreconcilable extremes." Pitchfork has a great article that provides context: http://pitchfork.com/reviews/albums/17803-jace-clayton-the-julius-eastman-memory-depot/
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supported by 280 fans who also own “Lean Back and Release”
Every piece on this album carries tension in such a deliberate and noticeable way. Fantastic
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Mohair Time Warp
by William Brittelle
supported by 280 fans who also own “Lean Back and Release”
"y'know, I wanna listen to Mohair Timewarp." This is what I say most mornings, after being sure the day before that I am done with this silly thing. The album sounds like a half-hour version of that 10 minute "History of Japan" video on the youtubes, even though it has nothing to do with history or japan. Absolutely nuts. I guess I am stuck with/to it.
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The Risk Of Hyperbole - Vol.2 - Object
by Jack Prest
Jack Preset creates rich soundscape of sub bass drones, tape delay atmospheres, and shimmering electronics.
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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Istanbul sound artist and industrial designer Kunsf transforms everyday objects into granular synthesis on this contemplative new LP.
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supported by 280 fans who also own “Lean Back and Release”
Don't know if music can represent such a disaster. Katrina was a terrible hurricane. I clearly remember it, we were around back then. But in New Orleans it was much worse, it was a cataclysm there. Anyway, Ted Hearne is a new discovery for me. His music is sui generis, it's jazz, it's contemporary classics... To my taste there's an even more compelling Ted Hearne album on bandcamp: https://tedhearne.bandcamp.com/album/sound-from-the-bench
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